“Killer” is marking the first bloody good taste of what’s to come on the upcoming album, one that is once again looking to shift gears as Quentin’s music has always done.
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They switch it up with the hazily ditsy number “All Night Long,” a collision course that is way too hell-bent for leather, but Awk just can’t keep his foot off the gas.
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Prepare to feel good & hear some superb storytelling on Bando’s debut, a soulfully meditative masterpiece that you’ll be running back multiple times.
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Their latest single, "Carti," probably the most colorful visuals you'll see all day, going from black & white to bright as they trade off bars with such precision.
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The Lil Keke assisted “PURPLE RAIN THING,” channeling an inner Prince influence with how he’s almost whispering his whimsical lines to you as they whisk away.
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The man has not let his targets out of his sight, let alone go down easy & that refuses to change on the DJ Green Lantern hosted "1995", so many bloody shell cases scattered throughout.
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Channeling that fire the event has no doubt ignited inside him in the studio on “3:30 in Houston”, returning to that dusty, grimy shit as Benny snarls his menace over the monotone driven number.
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Coursing throughout his veins as he tries to continue elevating to the seventh heaven in a higher plateau on the circuit breaking "Electric Heaven," an electrifyingly breathtaking sophomore effort.
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Who knew electronica & Hip Hop could mesh so well? Up & comer Cooley Cal did as he superbly blends both genres for his debut EP “Deprogram.”
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It’s a creative name for the record since it has a divergent sound to it while leaving an excellent impression on an introduction to ZonHon’s content at the same time.
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Their first single shared haunting features with the video showcasing dark scenery with the lyrical reckoning that up the ante to deliver an apocalyptic impact with their EP.
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His son is a promising talent with this single, and the content will remind you of his father, but the style in which he’s administering this level of dope to the listener is as modernist as it gets
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