He decided to capitalize on the record's success by releasing a visual to the Vaccid produce track by enlisting his right-hand man & usual suspect Barf, who's behind the lens for the visual.
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San Antonio's powerhouse collective Young God New Era gave the second single off their "God's Gift II" project the visual treatment earlier this month, providing another example of how dominating this faction is behind the mic.
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The real is put back on the forefront's and what other way to do that is by dropping a Krowned Hero-directed visual titled "Spose 2 Freestyle"
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Channeling the South Park Mex, Kerst deliveries a versatile series of wordplays that fit perfectly with the steady-paced production that expands his reach of shifting from English to Spanish with such velocity
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After delivering a hefty release of 30-tracks at the top of the year, Bankreaux decided to take one of those records and give it the visual treatment, which happened to be the Denzel Stone-produced hit "LOWA."
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The come-up story is always a good one, and with the release here, we get to be familiar with Iman to see his struggles turn into success.
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Since this album's anniversary is coming up, Esco felt it was necessary to drop the visuals to one of the more fiery tracks on the record, "Jonte's Inferno."
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What’s even better about this, besides the song is impeccable, is how he’s showing you where he comes from in the process.
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It has the "Keep It P" emcee posted at the pump, along with Roland Ryan creating a spectacle of high-class bravado with his raps that involve brotherhood, success, expensive taste, and that lavish shit.
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We got Kamiyada+, Bambi, Mateo Sun & KiddKill, who individually are menaces behind the mic, yet when you add them together, you get an arsenal of firepower in this visual titled "Payphone." It's backed with this quadruple's stampede of raps that can sink a battleship or two.
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You couldn't pour water out of a boot if the introductions were on the heel, so he doesn't care what snarky or snotty remark you have to make towards his "Dirty Reeboks."
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They can only duck for cover for so long as he empties clip after clip, aka bar after bar in this fiery performance from the agile wordsmith; Breadshots did their thing on this one.
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