A prolific year thus far for Thehighwaystory, the versatile artist continues to break down barriers musically with this complete change of pace for the artist on the somber “Apocalyptic.”
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Taken from his opus last year, "The O.G.," an introspective tour de force of wisdom & emotional intelligence, we're now treated to the visual treatment to "Love Yourself First," which's just in time for the summer.
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Still pulling out surprises with his prized album “Prototype_V,” Vermin The Villain released another visual treatment from the project by linking once again with Father Wasp behind the lens for the directorial video for “Mask_002”. T
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Last week, Tay Money released her second single of the year titled "PBJ," which's becoming a mesmerizing hit with a catchy chorus.
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Another two for one visual on Southside Hoodlum's resume released yesterday evening with compliments to Ace The Shooter behind the lens, DONTHYPEME on the edits, and of course Big Tex Johnny on production
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His latest visual treatment is titled "Recognize," which goes hand in hand with the concept for the video since he's staring at a mirrored version of himself going back to back with raps.
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Looking luxurious on the cover art, she got all pressed in the glitz and glamour just like "Hilary Banks," and like the 90's sitcoms stylist queen; she's staying ahead of the game sounding prestigious
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She decided to slow down things on her latest joint titled “Blame On Me,” which is more vocal-oriented, with some raps added to explain her emotional feelings when it comes to heartbreak.
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The trap overtones coupled with the operatic wails in the background make this record sound ever so villainous as he bites everything in sight; his fangs are fierce enough to pierce through the thickest of skin.
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Still, we're diving into "Last Cry," the opening sequence to this concise piece reminds me of how a lot of those old 90's R&B records would come in, real calm & peaceful, instantly giving you that sense of tranquility she's clearly trying to tap into here.
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Honestly, I would’ve assumed that without knowing that cause, her vocal performance here is just that powerful. It’s stripped down so we can really get a glimpse of just what she’s capable of doing with her voice.
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Both artists are playing the role of a couple trying to make it work; they clearly want each other, but outside forces make it seemingly impossible to relax for once. We all know Baby Bash can change that real quick.
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